
I can count on one hand the number of times I've put aside a book unfinished, most often because I didn't like the characters. I didn't care if they saved the day, or ended the world, or found love. I didn't care if they lived or died. And if I didn't care, what was the point in reading on?
A character needs more than a name and a look. You can describe the his determined jaw, or her flashing eyes all you want, but it doesn't really tell me anything about them. I like to get to know my characters on a personal level, and so when I'm writing, I come up with a whole list of vital stats for each one: name, physical description, family situation, background information, where they grew up and went to school. I give them goals and motivation to meet those goals.
I also like to give my characters little quirks. Most people have them in real life. Maybe she likes to walk everywhere barefoot. Maybe he scratches his ear when he gets nervous. Even the small details help to make rich, full characters.
Sometimes, even that's not enough. Take my latest WIP for example. My male protagonist is okay. He's a nice guy. I like him...but I don't love him. Who knew that being good looking and Irish wasn't enough? It's worked for me all these years (haha!)
My protagonist isn't cardboard. He walks and talks, but I want him to sing, and dance, and write sonnets. I want him to grab the reader and say, "I'm more than words on a page. I'm a man! Love me, Dammit!" I was having a really hard time getting him to co-operate.
My problem was that I really didn't know him well enough, so I sat down and started to write a sort of synopsis from his point of view. It's the first time I've done this and it worked brilliantly. Not only did I get to know him, but through the writing, themes and motivations that I hadn't considered started to emerge. Not only was I enriching my character, I was enriching the story.
So now I've decided to do this with all my characters, even the secondary players. Someone said once (it was probably Stephen King, he's always saying stuff) that there are no supporting characters in real life, that everyone is the star of their own story, and so it should be with fiction.
That's what I learned this week, that sometimes it takes a little extra effort to get to know the characters, but the end result is well worth it. After all, if I don't care about them, the reader won't care either.
Know any tricks to getting your characters just right? Pass them along in the comments.